Skip to main content

Fan Review: SRK to the rescue!

Fan is Shahrukh Khans film all the way ? but that is stating the obvious.
What might, however, not be all that apparent is that it is a good idea that the Bollywood superstar has decided to look for new challenges as an actor.
Playing a character that is nearly half his age, SRK, aided no doubt by meticulous make-up, rolls back the years rather convincingly.
If only, all the effort was in the service of a more compact film, the final outcome might have been infinitely more salutary.
That is not to say that Maneesh Sharmas Fan is not likely to win the fans over. It definitely will because it offers the audience not one, but two SRKs.
One is the superstar playing a fictional superstar called Aryan Khanna. The other is the actor essaying the role of a middle class Delhi boy Gaurav Chandna, who looks like him and literally worships him.
Aryan Khanna is an integral part of Gauravs otherwise humdrum life. The young man dances to his songs and delivers his dialogues at an annual Dussehra show and has his own band of admirers as a result.
Among them is the sprightly neighbourhood girl Neha (Shriya Pilgaonkar) who uses his cyber cafe to further her dream of flying away to the US.
But Gauravs ambition is to meet Aryan Khanna in person, so he heads to Mumbai. Once he gets there, harsh reality hits him and he is left bitterly disillusioned.
Something snaps in him, and Gaurav mutates overnight from fan to tormentor, turning Aryan Khannas life upside down.
Fan has moments that are delightfully well conceived and executed, but the grasp on reality that the screenplay (Habib Faisal) displays in the first half dissipates by the time the film nears its business end.
The desperate acts that Gaurav resorts to with the intention of running Aryan Khannas career to the ground are overly dramatic and not always convincing.
It is hard to accept that the London police would be so blinkered and incompetent as to blame a popular movie star for the hell raised at Madame Tussauds by an impersonator.
There are several such situations in Fan leading up to the climactic duel between Gaurav and Aryan that need to be taken with a pinch of salt.
But with SRK putting his best foot forward as the indignant fan, the film does not have too many overly dull stretches. This is notwithstanding the fact that the anti-hero does not always manage to make an emotional connect with the audience.
Of nothing else, Fan demonstrates why SRKs appeal is so enduring. Even in a film that has more than its share of flaws and loose ends, he can stitch together a performance that is both riveting and crowd-pleasing.
Watch Fan for Shah Rukh Khan and for a screenplay that throws up quite a few delightful surprises. 
PTI 

Comments

Popular posts from this blog

Tum Kitne Afzal Maroge, Ghar Ghar Se Afzal Niklega!

It is hard to trace the origin of sloganeering or probably beyond my capability to do so but if we consider the broad meaning then sloganeering is an act to unite like-minded people, incite them and instill within them a sense of oneness, predominately for some cause. If I am not very wrong, if so I can stand corrected, sloganeering was made famous during the early days of uprising by rebels against the tyrannical rulers. In India, during the struggle for freedom, slogans were made to get people together and rise up against the British Raj. "Inkalaab Zindabaad" was one among many that was probably the most used and by far the most useful slogans used during those days. The two words simply mean "Long live Revolution" but the greater meaning had a great impact in the minds of millions who dreamt of waking up in a free country. Inkalaab Zindabaad was so famous that even in today's generation we use it almost anytime we wish to show our dissent towards s...

Will the shift from BS-IV to VI cost Audi in India?

By Ankit Berry New Delhi:   India is trying hard to move towards being a greener country and has been bringing in a slew of measures to curb the menace of pollution. In one such step towards a better India, the Government of India decided to move from BS-IV standards to BS-VI norms. Audi India head Joe King welcomed this, however,  apprehensively. Joe feels that the move from BS-IV norms to BS-VI norms directly is a good move and it would be beneficial for manufacturers as it reduces complexit ies and therefore, the cost substantially. But he is scared that the adequate fuel quality to implement this may be hard to achieve. This shift from BS-IV – VI has a target of 2020. This has most car makers in a fix as a slew of regulations are about to hit them. On top of that, new vehicles with a diesel engine capacity of above 2000 cc are not allowed to be registered in Delhi. According to Joe, these rules have confused car makers i n terms of the diesel issue...

Sangeet Som’s speech a dangerous premonition?

If there is presence of something today, then there has to be a past and this past is known as HISTORY. For example, if you have a metal idol in your hand, the matter was definitely in the form of an ore in some part of its journey. As for a country, well, knowledge about a State comes after reading about its History and to claim to change the same is dangerous and would ensure a dark future. BJP’s controversial lawmaker, Sangeet Som, who apparently paved way for the Muzaffarnagar riots, is back with yet another bizarre comment that he would change History. You may not like the idea that the Mughals ruled India for a long time but you can’t rub it off from History. After all, if your kid asks you who made the Taj Mahal, would you say that the Bharatiya Janata Party laid its foundation stone? His foolishness was also out in the open when he said that the one who built the Taj Mahal had imprisoned his father. Ehh wait a minute, Shah Jahan imprisoned Jahangir? Really? But t...